Sector IX B
2015
N/R
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Overview:
Taking inspiration from L’Afrique fantôme — the controversial diary by French surrealist writer Michel Leiris recounting his participation in the ambitious Dakar-Djibouti ethnographic expedition of the 1930s — Mathieu Kleyebe Abonnenc’s arresting first feature reflects on identity, cultural appropriation, and the transference of memory through objects.